Frank Samarotto

Frank Paul Samarotto, age 70, Bloomington, IN View Details

Cities: Bloomington IN, Staten Island NY, Astoria NY Possible Relatives: Alexander Samarotto, Margaret Alexa Samarotto, Rosetta Samarotto

Frank Samarotto, age 88, Astoria, NY View Details

Cities: Astoria NY

Frances C Smartt, age 80s, Nashville, TN View Details

Locations: Nashville TN Possible Relatives: Frances Paulette Baugh, Earline B Smartt, Frank C Smartt

Frank Samarotto, age 80s, Windsor, CT View Details

Locations: Windsor CT, CT Possible Relatives: Julia Mary Samarotto, Michael James Samarotto, Tammy L Ward

Frank Samarotto, age 88 View Details

Address:***** Poquonock Ave, Windsor, CT. Phone Number: (860) 688-****

Frank P Samarotto View Details

Address:***** 28th St, Astoria, NY. Phone Number: (718) 948-****

Frank Samarotto at Indiana University Bloomington - Rate My Professors

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Frank Samarotto is a professor in the Music department at Indiana University Bloomington - see what their students are saying about them or leave a rating yourself.

Frank Samarotto - Associate Professor - LinkedIn

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Frank Samarotto Associate Professor at Indiana University Bloomington Bloomington, Indiana, United States. 7 followers 7 connections See your mutual connections. View mutual connections with Frank ...

Music Theory - Jacobs School of Music

music.indiana.edu › degrees-programs › areas-of-study › music-theory.html

Frank Samarotto. Professor of Music (Music Theory) Phone: 812-856-5740 Email: [email protected] Office: Simon Center, M325F. Lina Tabak. Assistant Professor of Music (Music Theory) Email: [email protected] Office: Simon Music Center, M225E. Amy Tai. Assistant Professor of Music (Music Theory) Email:

Brahms Concert and Symposium - Music Theory

blogs.iu.edu › jsommusictheory › brahms-symposium

Frank Samarotto is Associate Professor of Music Theory at Indiana University Bloomington. He was a workshop leader at the Mannes Institute for Advanced Studies in Music Theory Summer Institute in Schenkerian Theory and Analysis in 2002, a workshop leader and invited presenter at the first conferences in Germany devoted to Schenkerian theory and ...

Transformation vs. Prolongation in Brahms's "In der Fremde"

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In a recent paper presented at the annual meeting of the Society for Music Theory, Frank Samarotto discussed a specific point of contrast between the transformational approach to tonal harmony, in the form of Neo-Riemannian triadic transformational theories, and the prolongational approach, as exemplified by Schenkerian theory. 2 He mentioned that many of the typical Neo-Riemannian ...

MTO 10.3: Samarotto, Sublimating Sharp 4̂ - mtosmt.org

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Frank Samarotto. KEYWORDS: Energetics, Schenker, hermeneutics, Brahms, Debussy. ABSTRACT: The raised fourth scale degree can represent a powerful, even visceral impulse towards the dominant; once introduced, its course of harmonic resolution appears inevitable. Nonetheless, there are instances when a piece seems to rethink this impulse, and to ...

Strange dimensions: regularity and irregularity in deep levels of ...

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By Frank Samarotto Edited by Carl Schachter , Queens College, City University of New York , Hedi Siegel , Hunter College, City University of New York Book: Schenker Studies 2

Analysis of Tonal Music: A Schenkerian Approach - amazon.com

www.amazon.com › Analysis-Tonal-Music-Schenkerian-Approach › dp › 0190846674

In this highly anticipated new edition of Analysis of Tonal Music: A Schenkerian Approach, authors Allen Cadwallader, David Gagné, and Frank Samarotto use specific, memorable compositions to explain structural principles. This approach teaches students how to think about, critically examine, understand, and perform great compositions of Western art music.

PDF T561 Fall 2011 - Jacobs School of Music Intranet

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Prof. Frank Samarotto TR 1:00-2:15 M263 Perhaps more than any other composer before him, Brahms had a broad and explicit awareness of the full breadth of the tradition he inherited. His music seems to embody a conscious rethinking of the basic materials of tonality, treading the line between a creative conflict with the past and an admiring ...