Dover, DE | Milford, DE | Dunellen, NJ
Also known as: juliet9066
Renee Leitton lives in Dover, Delaware, but has also spent time in Milford, Delaware; Dunellen, New Jersey; Middlesex, New Jersey and Harrisburg, Pennsylvania. Robert D Leitton, Elaine M Hanrattyleitton, Elaine M Leitton, Pastor Bob Leitton, Robt Rev Leitton, Bob Leittonpastor and Robert Hanrattyleitton are some of Renee relatives.
Pastor Leitton lives in Dover, Delaware, but has also spent time in Milford, Delaware. Elaine M Leitton, Robt Rev Leitton and Bob Leittonpastor are in Pastor family.
Dover, DE | Lincoln, DE | Lewes, DE
Robert Leitton lives in Dover, DE, but has also spent time in Lincoln, DE; Lewes, DE; Milford, DE and Harrisburg, PA. Some of Robert family members are Renee Ruth Leitton, Renee R Leitton, Robert D Leitton, Elaine M Hanrattyleitton, Elaine M Leitton, Elaine M Leitton, Kathleen R Leitton, Pastor Bob Leitton, Robt Rev Leitton, Bob Leittonpastor and Robert Hanrattyleitton.
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What is Leitton's famous for?
In music, function is a term used to denote the relationship of a chord or a scale degree to a tonal centre. Two main theories of tonal functions exist today:The German theory created by Hugo Riemann in his Vereinfachte Harmonielehre of 1893, which soon became an international success, and which is the theory of functions properly speaking. Riemann described three abstract tonal "functions", tonic, dominant and subdominant, denoted by the letters T, D and S respectively, each of which could take on a more or less modified appearance in any chord of the scale. This theory, in several revised forms, remains much in use for the pedagogy of harmony and analysis in German-speaking countries and in North- and East-European countries. The Viennese theory, characterized by the use of Roman numerals to denote the chords of the tonal scale, as developed by Simon Sechter, Arnold Schoenberg, Heinrich Schenker and others, practiced today in Western Europe and the United States. This theory in origin was not explicitly about tonal functions. It considers the relation of the chords to their tonic in the context of harmonic progressions, often following the cycle of fifths. That this actually describes what could be termed the "function" of the chords becomes quite evident in Schoenberg's Structural Functions of Harmony of 1954, a short treatise dealing mainly with harmonic progressions in the context of a general "monotonality".. You can find more here.
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