Also known as: klacs2
Kathleen Collins lives in Sterling, VA, but has also spent time in Leesburg, VA. Kathleen works for A-tek Inc as a Finance Executive.
Rectortown, VA | Leesburg, VA | Washington, DC
Kathleen Collins lives in Rectortown, VA, but has also spent time in Leesburg, VA and Washington, DC.
Alexandria, VA | Herndon, VA | Leesburg, VA
Kathleen Collins lives in Alexandria, VA. Other places in which Kathleen has lived are Herndon, VA; Leesburg, VA; Washington, DC and Springfield, VA.
Vienna, VA | Phoenix, AZ | La Plata, MD
Kathleen Collins lives in Vienna, Virginia, but has also spent time in Phoenix, Arizona; La Plata, Maryland; Leesburg, Virginia and Coronado, California. Mary Boger Lind, Kristine L Hershberger and Sherri A Lind are in Kathleen family.
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What is Kathleen Collins's address in Leesburg, Virginia?
Kathleen Collins's address is ***** Eagle Mine Ter, Leesburg, VA.
What is Kathleen Collins's age?
Kathleen Collins's age is 46.
What is Kathleen Collins's phone number?
Kathleen Collins's phone number is (540) 333-****.
What is Kathleen Collins's from Leesburg, Virginia Facebook?
We've discovered several social media accounts associated with Kathleen Collins, including @kathleen.c.wade.1, @kathleen.collins.315, @kathleen.g.collins, @kathleen.collins.1253 and others. To explore more of Kathleen Collins's online presence, click here.
What is Kathleen Collins's from Leesburg, Virginia famous for?
Kathleen Collins was an African-American poet, playwright, writer, filmmaker, director, civil rights activist, and educator from Jersey City, New Jersey. Her two feature narratives—The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982)—furthered the range of Black women's films. Although Losing Ground was denied large-scale exhibition, it was among the first films created by a Black woman deliberately designed to tell a story intended for popular consumption, with a feature-length narrative structure. Collins thus paved the way for Julie Dash's Daughters of the Dust (1991) to become the first feature-length narrative film created by a Black woman to be placed in commercial distribution. Influenced by Lorraine Hansberry, she wrote about "African Americans as human subjects and not as mere race subjects" [emphasis in the original].. You can find more here.
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